Showing posts with label Timelapse. Show all posts
Creating a Jedi Game Character - Time-Lapse (Short edition)
by R27 CREATIVELAB on Thursday, 6 September 2012
Final Character is around 13.000 triangles using 1 Diffuse, Specular, Normal and Gloss map.
Created to work in Unreal Engine (UDK) and presentation using Marmoset Toolbag render.
Earth | Time Lapse View from Space, Fly Over | NASA, ISS
by R27 CREATIVELAB on Tuesday, 15 November 2011
Time lapse sequences of photographs taken by Ron Garan, Satoshi Furukawa
and the crew of expeditions 28 & 29 onboard the International Space Station from
August to October, 2011, who to my knowledge shot these pictures at an altitude
of around 350 km. All credit goes to them.
HD, refurbished, smoothed, retimed, denoised, deflickered, cut, etc.
All in all I tried to keep the looks of the material as original as possible,
avoided adjusting the colors and the like, since in my opinion the original
footage itself already has an almost surreal and aestethical visual nature.
Music: Jan Jelinek | Do Dekor, faitiche back2001
w+p by Jan Jelinek, published by Betke Edition
janjelinek.com | faitiche.de
Image Courtesy of the Image Science & Analysis Laboratory,
NASA Johnson Space Center, The Gateway to Astronaut Photography of Earth
eol.jsc.nasa.gov
Editing: Michael König | koenigm.com
Shooting locations in order of appearance:
1. Aurora Borealis Pass over the United States at Night
2. Aurora Borealis and eastern United States at Night
3. Aurora Australis from Madagascar to southwest of Australia
4. Aurora Australis south of Australia
5. Northwest coast of United States to Central South America at Night
6. Aurora Australis from the Southern to the Northern Pacific Ocean
7. Halfway around the World
8. Night Pass over Central Africa and the Middle East
9. Evening Pass over the Sahara Desert and the Middle East
10. Pass over Canada and Central United States at Night
11. Pass over Southern California to Hudson Bay
12. Islands in the Philippine Sea at Night
13. Pass over Eastern Asia to Philippine Sea and Guam
14. Views of the Mideast at Night
15. Night Pass over Mediterranean Sea
16. Aurora Borealis and the United States at Night
17. Aurora Australis over Indian Ocean
18. Eastern Europe to Southeastern Asia at Night
Midnight Sun: A natural phenomenon occurring in the summer months north of the Arctic Circle and south of the Antarctic Circle where the sun never fully sets and remains visible 24 hours a day.
This short time lapse film was shot during the Icelandic Midnight Sun in June of 2011.
For 17 days I travelled solo around the entire island shooting almost 24 hours, sleeping in the car, and eating whenever I had the time. During my days shooting this film I shot 38,000 images, travelled some 2900 miles, and saw some of the most amazing, beautiful, and indescribable landscapes on the planet. Iceland is absolutely one of the most beautiful and unusual places you could ever imagine. Especially during the Midnight Sun when the quality of light hitting the landscape is very unusual, and very spectacular.
Iceland is a landscape photographers paradise and playground, and should be number 1 on every photographers must visit list. Iceland during the Midnight Sun is in sort of a permanent state of sunset. The sun never full sets and travels horizontally across the horizon throughout the night, as can be seen in the opening shot and at the :51 second mark in the video.
During the Arctic summer, sunset was at midnight and sunrise was at 3am. The Arctic summer sun provided 24 hours a day of light, with as much as 6 hours daily of "Golden light". Once the sun had set it wouldn't even get dark enough for the stars to come out, and they don't start to reappear until August.
My advice to everyone out there, photographer or not, is simple... You MUST visit Iceland sometime during your lifetime. You will never regret it.
If you want to follow my future photographic events you can find me at:
Google+ (gplus.to/scientifantastic)
Twitter (twitter.com/scientifantasti)
Vimeo (vimeo.com/scientifantastic)
GEAR
Motion Control System:
The motion controlled shots in this film were shot using the Stage Zero dolly system made by Dynamic Perception (dynamicperception.com/)
Cameras and Lenses:
2 Canon 5DII DSLR cameras
1 Canon 7D
Various Canon lenses
Music by This Will Destroy You
Song: "The World is Our"
Website: myspace.com/thiswilldestroyyou
Buy It on iTunes: itun.es/iBv9NS
Special Thanks to:
REYKJAVIK RENT A CAR (reykjavikrentacar.is/)
Dynamic Perception (dynamicperception.com/)
Jag35 (jag35.com/)
Kessler Crane (kesslercrane.com/)
LRTimelapse (lrtimelapse.com)
Timescapes (timescapes.org)
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Breathing life into spray paint. 144 hours of motion condensed down to four minutes.
- Leave your comment • Category: Experimental, Timelapse
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The Hydra team assembled an entire still-life spread; fruits, cheeses, flowers, fish, and an uncooked pheasant. They then sealed it off in a 6x6 foot plexiglass box. 3 DSLrs, set at varying angles, were set to shoot a frame every 5 minutes for 11 days.
Four brave souls armed with masks, gloves, trash bags, and a fleet of air fresheners took on the task of breaking down the rancid set.
This is behind the cleanup.
Humble is proud to present, Homunculus, the first of an annual series of experimental films by our in-house directing collaborative, Hydra. Conceived of and directed by Sam Stephens, Homunculus is a dark and twisted fable of spontaneous generation and untrammeled id. Taking its title from the Latin word for "Little Human", the piece is an associative mashup between the two concepts behind the word: The first being middle-age alchemical beliefs that "little men" could be spontaneous generated from dead or decaying matter. The second being Carl Jung's usage as a personification of pure id. These ideas, combined with our love of Dutch still life's "beautiful decay," sowed the seeds for this unique little monster of a film.
The Hydra team assembled an entire still-life spread; fruits, cheeses, flowers, fish, and an uncooked pheasant. They then sealed it off in a 6x6 foot plexiglass box. 3 DSLrs, set at varying angles, were set to shoot a frame every 5 minutes for 11 days. Meanwhile, co-director Chris Mauch began to design a series of "little men," some cute and cuddly, some not so much. In Maya, Chris and our team of volunteer animators and modelers began to build and rig the creatures.
Over the course of 4 months, in between jobs and on weekends, Sam, Chris, and the team pieced together the sometimes funny, sometimes disturbing madcap narrative --a mixture of Tex Avery cartoons and H.R. Giger inspired body horror.
True to its subject, and to the surprise of its producers, what was to be a small 30 second blip organically grew into an entire HD short film. With the completion of the 12-tone score by Koven Smith and the surround sound mix by Joe Muiccio, we're pleased to premiere our furry little labor of love. Please enjoy...hopefully on an empty-ish stomach.



Full Credits
Client: Hydra
Director: Hydra
Production Company: Humble