Spooky, surreal and strangely wonderful, a great short film.








Director/Screenwriter/Producer/Editor: Tim Bollinger Cinematographer: Daniel Meinl
Sounddesign: Michael Fakesch designingsounds.com
between-film.com

You may also like: Carousel, directed by Adam Berg

Contemporary dance is one thing but then add a little visual magic and this is what you get, love it.

A motion control test film by DuckEye developed from 'Iatrogenesis' created for Rambert Dance Company's 'Season of New Choreography'



Choreography Alexander Whitley
Dancers: Jonathan Goddard, Miguel Altunaga, Eryck, Brahmania, Estela Merlos
Music: Guy Connelly
Directed by Duckeye
Produced by Rokkit
Director of Photography: Simon Paul
Gaffer: Jono Yates
Runner: Leonard Wilkinson

Shot using Canon D5 MKII with a manual 25mm Carl Zeiss lens.

Can't read this ad? Don't worry you pretty little head about it, you're not the target audience.

Pereira O'Dell and the University of Phoenix target recruits with this great print campaign composed entirely in morse code. The ads can be seen in various military publications/websites. It directs you to a microsite that features the decoded versions and also allows visitors to send their own morse code messages to friends.

Go to the Web site

The Victoria & Albert Museum presents Forever. Floating above the pond within the John Madejski Garden, a large videowall installation of endless animations responding to an ever changing soundtrack. The bespoke generative design system at the heart of Forever will spawn unique audio-visual films everyday, forever.

An online installation, generating an endless series of video podcasts is available to coincide with the display.



Our role as designers was to define the parameters in which the work evolved.

In response to the pond, the sculpture continually grows upwards from the water, all movement stems from a central 'spine' which reacts to the music, and it has evolutionary points set over time, causing the work to alter in appearance and intensity over its 2 month lifespan.This evolution will occur naturally as the installation tours to other venues worldwide, the form of the digital installation will alter depending on the venue.

They say don't judge a book by its cover.... I say why the hell not! Below the simplicity of treatment is perfect and makes the books very 'pickable' (is that a real word?)

Penguin books senior cover designer Coralie Bickford-Smith's intricately patterned hardback classics will hit the U.S. tomorrow. The series was originally released in the U.K. last fall and distributed exclusively through Waterstones.

Coralie Bickford-Smith is a senior cover designer at Penguin Books, where she has created several series designs. She studied typography at Reading university and has recently been sharing her experience with students at London College of Communication encouraging a sense of play in the process of design.

Penguin Books UK | Penguin Books Group

HARDBACK CLASSICS - Clothbound Series 1




HARDBACK CLASSICS - Arabian Nights





HARDBACK CLASSICS - Penguin's Poems for Love




RED CLASSICS - Boys' Adventure







NON-FICTION - Hardbacks




NON-FICTION - Paperbacks





CLASSICS CATALOGUE




Coralie Bickford-Smith is a senior cover designer at Penguin Books

Penguin Books UK | Penguin Books Group